Symbiosis 2013, things connected

This new sculpture is another conglomerate of elements that are states of symbiosis in nature. Nature being that state or politics between living things in the wilderness that i see and witness. Elements being the flora and fauna that exists and only exist because of one or the other elements in the chain of nature. Today i was doing a little bit of research on a few rivers systems, one being the North Umpqua in Oregon. My friend Melinda who I've been doing some woodworking for highly suggested that I make time to go and experience this watershed since it has such an incredible level of biodiversity and wild state that seems so untouched still and very accessible. After a quick search on the web it looks like its on my visit list for 2014 after Paris and of course it has great fly fishing opportunities. The small cabinet is veneered in Redwood Burl and was a cigar box that my friend Bruce gave me after a camping trip, while the dragon fly inside came off the radiator of my truck when i was on my way home from studying split cane rod building with Chris Raine in Dunsmuir in June.

Endo-Biotic Symbiosis

Ive been super busy since the new year in the studio. New sculptures that seemed to be languishing along on work tables suddenly became clear in how they were to procede. Newly finished is a sculpture Endo-Biotic Symbiosis. the outer sides are styrene forms taken off of tree bark that are monted and hinged to panels. Open sculpture is a narative about the inner dependency that flora and fuana has in the wilderness. The sculptures slip cover is quarter sawn sycamore with a deciduous tree image cut out relating to the trees in the sculpture.

Multiple update and laminating

After a crazy bought of work in my workshop, I finally was able to laminate the 10 reliefs onto the sculptural/book frame work. i used a two part expandable ridged foam to secure the styrene relief to the wood veneer page on both the outside edges. Before actually glueing these down, i sealed the burl veneer thats on the opposite sides with a coat of Spar varnish to seal it from being stained by any runs or residue from the opposite side. The process seemed to work well by stacking weights onto the piece to keep the relief so it would drift while the foam dried. the foam is a urethane based material very similar to Gorilla Glue.

once i'm finished laminating these, i'll begin to start sealing the styrene with some paint and begin to shade it into a landscape like the map elements that i use often in my work.

Denver, Drawn and Quarto

Denver, Drawn & Quarto, On the plane at 6 am, Mary and I are off to Denver for the show at Alicia's gallery, Abecedarian Gallery, located on Santa Fe Street in the new art district. We're excited to have an opportunity to share our work in the area and to see the art scene, visit with other artists, and also to get to know Alicia more as well.

Arriving at the gallery, it was great to see Alicia, the last time we met was at the Codex Art fair in Berkeley a year ago when we, Mary and I, had our collaborative work taken on by Vamp and Tramp artist book sellers. Alicia had the space next to Bill and Vicki and she was able to see our work when we had our visit. After a few hours at her space, finalizing details Alicia needed for the opening, we took off to visit Denver's Museum of Modern Art. Crazily, while looking at a small sand sculpture display in the gift shop, a young kid that looked like my old studio mates son was standing next to me. I thought yow that looks like Olen. Then while I turned around it was! Suddenly I heard someone call Mary! And it was Jeff! What a coincidence. After a quick visit with his family we were off again back to Santa Fe Street for Denver's first friday art openings. During the openings, we got to meet some engaged Art viewers who's demographic was very familiar to the Oakland Art-murmur. Also it was quite impressive the number of spaces that were open with fine art. The sidewalks were packed with artists and art lovers, and all the galleries, over 30 that we visited, majority being artist run, were all full of people. Not all of the art was great, not unlike Oakland's scene, however it was very exciting to be part of, and people viewing art as well as the artist seemed quite engaged and serious about the scene. What was also interesting was, mind you this friday evening the weather consisted of a mixture of light rain and snow flurries and the temperature was about 35 degrees outside. Out of all the spaces we visited excluding our show at Abecedarian Gallery, I thought the best artwork to be seen was at Space Gallery with their show White Black Grey. During our 3 day business visit to Colorado we also visited the town of Boulder since we heard that it had a few good galleries including spaces at the University. However we were a tad disappointed except for the FYIPA beer we had at the Mountain Sun Brewery for a late lunch. On sunday we walked around the LoDo area of Denver and visited the Museum of Contemporary Art that Alicia and Rupert Jenkins who we got to see Saturday evening, recommended. To say the least we were both very impressed with not only the two shows that were on view, but also the architecture of the museum itself. Built on a contemporary modernist model thats popular now, it had very well designed details, Epe wood, steel and glass that didn't interfere with viewing the Art, but still rhythmically complimented the structure throughout the space. All in all, it was a great business adventure, we said "más tarde cocodrilo" to Alicia and her doggy Tyler, and headed for the airport to catch or flight back to Oaktown.

Multiple Construct 1-5

After returning from my two and half week adventure into the high country, in the studio i feel very inspired to be immersed in all the projects. Without a stutter, like i hadn't been away, I went straight to work mounting the gun blued hinges. after a quick finish sanding and layout of the parts in there right sequence i began epoxying them onto each leaf of each book sculpture. Using 5 minute epoxy helps with to keep the process going at a reasonable pace. after each of the 5 pieces were assembled i could allow them to cure and then edge sand each to an edge square. next, tomorrow i'll head to the plastic shop to buy the .030 sheet styrene and start annoying Bill to gain access to the vacuform machine and produce the 10 reliefs for the outside pages of the 5 unit multiple.

Vacu-forming for a Multiple/1

My artist fishing friend Bill months ago had a great idea about repeating a part of my pieces over again through the use of a vacu-form machine. Last week I finally had time to find and buy the sheets of styrene. We bought a few differnt thicknesses so we could see the level of detail that would be created. After the initial tinkering to get the machine cleaned up and started which had its own learning curve, we were ready to test the first piece.
















After loading the reliefs on to the aluminum vacuum table, with the vacuum pump pulling 30lbs and the gas heaters running full blast Bill was ready to lower the very hot sheet of styrene onto the table and open the vacuum valve. After we tried about four test sheets we could see that the .030 thickness styrene sheets were giving us the best results. Only a slight webbing was occurring in the corners, and the detail that the thinnest sheets were more pleasing.

Now back to Piedmont Plastics next week for 12 sheets of Styrene, then we can go into production....  Thanks Bill!

New Drawing 6-2-2012

here is a new drawing i finished today.

Poly-Hedron Cabinets

I put a final coat of spar on both of the PolyHedron cabinet a few days ago and decided it would be a good idea to take some pictures of them before starting to make the leather closer straps for the doors. I took some close up images of the interior tree elements with the appendages of paper hedrons and legoscapes.

Mappa burl cabinet with trout images for interior Tree Trout.

Sapele veneer cabinet with Lego condo scape for the interior.

Open Hedronscape

During the past drawings i discovered the cut out shape in the hedron shapes that were integrated in the drawing.
similar to a lack of order but not chaos. the negative element opened a link in my though to helix imagery in science.
I began to build some elements for a few new landscapes and thought to create this helix hedron shape in a dimensional form with my polyhedrons.
I chose the subject matter of the trout details that are photographed wile hiking the rivers, and on the opposite side of the prints are the images of the topographic maps defining where i was with the trout.
Then i transfer the template for the pattern and then cut out the hedron and glue it together.

White-out project.

Organs of a body.
Snow fields existed.
Feeders of a landscape.

Rich bio mass, cascading.
An eco system chain linked.
Dependent on a source.

Dihydrogen monoxide,
Frozen at elevation.
Fluid flowing below.

Solid white opaque.
Fluid clear copious.
Shapes like organs, feed the landscape.
















"white-out" correction fluid on maps and photographs.

Journal Drawings

I’ve been slowly trying to catch up on combining my journal entries from the trail and the sketch/drawings together. Often it’s hard to keep up with drawing images from the treks, and transferring the daily notes each day. I’m still pretty back logged. Today I have been working on a grouping that was from a section of the John Muir Trail in Yosemite National Park. Last year Mary and I spent a few days drawing and exploring this area below Mt. Lyell the highest peak in Yosemite. My journal that I carry, I laminate photos from the spots, I take a quick sketch on paper, and make notes of the days trek. Then by transcribing from these pages they become a combined vignette of what I saw and did during the day.

“ As we left Marie Lakes in Ansel Adams Wilderness the sun rose quickly. We got an early start to climb over Donahue Pass at 12,000 feet, and into Yosemite. Because being above timberline affords no relief from the sun, early starts are best. Only a small remnate of the once large snowfield now remains below the summit of Mt. Lyell the highest peak in Yosemite at 13114 feet. Entering Yosemite on the JMT, we get our first glimpse of Lyell Canyon from 2000 feet above. Its distinctive U-shaped valley carved by receding glaciers from the Pleistocene era some 17,000 years ago.”

Using a fine lead drawing pencil and a Generals charcoal white pencil on a medium Canson paper is my favorite choice. I like the way that the while pencil highlights the snowfields and bright granite of the landscape and the darker lead pencil shades into shadow leaving the paper as a mid-tone ground.

In The Studio

Over the summer, I was able to experiment on journal making while I was on the trail. I wanted to explore translating the experience of the landscape into my small daily book. I have often found it hard to commit in the endeavor of Journaling for more than a couple of weeks, I would loose interest and begin working only on larger piece, or sculptures.
My Trekking trips afforded me the focus to work small and intimate. Keeping focused on 1 day at a time, I got to play with different forms of seeing and translating the environment on to the pages.
Now that the summer has passed, I’m excited to take elements from those journals and assemble them into new pieces. One in particular that I’m working on is a series of cut out’s. The shapes are of the snowfields that I encountered from the trail along the JMT. Specifically the snowfields in the Black and White Divide area of the Sierra Nevada Crest. The snowfields here feed a series of lakes, which are the photos that I use as the ground from which I cut out the snowfield shapes.
Below these, are the insects that I collected from the journeys around the vicinity of this landscape. The collected insects are sealed and preserved in small vials of alcohol.
In addition to these Snowfield cut outs, I began working on a landscape book that somewhat chronicles another section of my trek. First, I came up with a visual narrative and then cut out segments in some of the panels to represent elements in the landscape. Eight panels are to be hinged together and accordion or fold together.
I think that some of its panels will be writing from the journal entries and others will be photographs laminated to the surface, maybe dirt from the trail also.

New Tonka toy to draw

Soon it’s going to be the annual SF Open Studio tour this coming October 25th and 26th . I have been drawing recently, aside from the engine parts and fly fishing lures, some new Tonka truck toys I purchased on eBay.
They’re quite fun to draw and challenging to get their form, perspective and shading convincing enough that the trucks transcend being just toys to maybe the real thing. I guess that is why I am attracted to them as a subject. I remember having many of these very trucks when I was a child and would play with them constantly. I would project my self as a worker or a driver into the inside of the trucks cab and drive them around a dirt pile in the backyard. I would build buildings and pits to a fantasy excavation for a city complex. At the time, it was a way to escape and become someone and do something with out the true responsibility of being it for real. I think that is why I am interested in drawing these toys now, they allow an escape to that place I once could go to all the time and can forget other things around me.