Above And Below, 2012

Last night i put some finishing touches on the new sculpture i had been working on.
Part of a series of three similar sculpture books that resemble a book closed, however when opened there a box with multi layered environments that depict my adventures in the wilderness through a loose abstracted narrative.
Each of them contain objects and photos i have collected or taken.
The images are printed on 100 photo rag paper in the epson 2200 printer. All of the gluing is archival and the map sections are scans from original USGS topographic maps then reprinted through the 2200 so they'll be archival.

Along the Silver Trail

Finished up the latest book sculpture construction.
Now I have been setting up for the photo shoot in the studio.
The Barrel hinges are seeming to work well on this piece.
Sometimes they tend to be quite sticky.
The Anigre really glistens when the light is at different angles.
Almost becoming 3 dimensional in contrast to the inlay photograph.
The tunnel section on the left took some experimenting in how it would fold out of the recess in the book box.

Finishing the finish.

Why is the finish always the hardest part?
A bit of dust and its sand out and re-finish.
With the pressure of top coat perfection, i'm trying to finish these three pieces for a set studio visits next month.
The cold weather doesn't help.
Letting the finish warm up encourages the flow out greatly.
It's an old So-Cal Hot-rod'r trick from the days of laying lacquer.
Get the formula hot and it will flow...
So flow she goes.
The cover is a combination of Birdseye maple, Ebony and photograph inlay.
Making the layer sanding even more difficult these layer react to the finish in their own ways.
Just don"t breath on it...

JMT Broadside Collaboration

Mary and I started the broadside project we had been talking about for a while.
Mary took an official class using a very nice letter press at KALA in Berkeley a few months ago.
For the class project she used our idea of combining drawings turned into linocuts and my Haiku that were written about our trek on the John Muir Trail.
The first experiment for the project came back with great results.
The image Mary translated of one of our campsites and the Haikus she set in type worked out great for our first glimpse at the idea.
Over the weekend I deviled back into old journals from the trip two years ago already, and began to assemble the many Haiku made during the trip. I pined them up on the wall and Mary in the same token assembled watercolors and drawings from her journals that she did from the same trip.
With a starting point of maybe 20 to 25 images and 30 to 40 Haikus we can then form them together to make 10 individual broadsides.
Then possibly work towards an edition.
Fingers crossed, no ego.

Tehipite Fish edition

While my buddy and I were in Tehipitie Valley, one of the most remote places to trek to in the sierras, I made an edition of cyanotypes of the skeletons from a fish I had caught.
During the trip, I took time out to expose many sheets of the material, but this was the first edition I tried to produce.
With the variables of the sun and the depths of the such a steep wall'd canyon, I discovered how hard it was to keep a consistent exposure as well as the placement of the skeleton under the glass.
I ended up with 12 complete sets of the fish to make the edition.
I'm sure even though Lou was like "Woh thats cool" I think it was more like, "I knew you were sicko!" saving the bones to that fish.
Actually it was pretty funny. I caught that fish more up stream while we were at Blue Canyon Falls and I draped the remains of the fish near where Lou was sleep for the night because i didn't"t want them near me...
In the morning he said a Skunk was by his Sleeping bag trying to reach the skeleton in the manzanita bush but couldn't reach it...
"Dude you didn't smell Him"!

Lego-scapes

While walking home from the Peet's coffee the other day with the dogs i found a strange Lego toy ship.
An idea sparked.
A kit bash of urban landscape style collaged withe the organic dyaramic-scapes i've been experimenting.
Recent visit to Chicago and the skyscrapers there.
The syntheses of man versus nature.
Without nature however man does not exist.
However does the definition of what nature is now exist because of man?
How we perceive nature is our nature?
Can Nature out perceive the use of man as an organism.
Are we an Organism or a virus in nature.
Or to nature.

Outland-ish!

A small landscape sculpture "Miners Flat" was included by surprise into the recent show at the Bedford Gallery.
Outlandish is a fun show and I'm excited that Carrie asked me to be apart of it.
Miners Flat is a small wall mount that is somewhat a surreal depiction of a favorite place i like to hike to and fly fish.
The place has lots of solitude and really allows me to forget where i'm at and be in the moment.
Its a place that my friend Aram and I seem to always discuss when ever we talk, wether its on the phone or drinking coffee.
A place that demands physical rigor to reach but a zen mindset to achieve. A place where everyone is welcome but no one can fully understand or grasp. Each visit its true nature eludes, and only sometimes reveals a glimmer of hidden truths for the observant. A river elusive.
Outlandish @ Bedford Gallery